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French Cinema

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By Douglas Gruehl

Anatomy of a Fall or Was It Colonel Mustard in the Snowbank?

Is Justine Triet’s “Anatomy of a Fall” a courtroom thriller, a dramatic psychological study, or both, or simply a “true-crime whodunit” with all the twists and turns inherent in that genre? With the backdrop of Sandra Hüller’s all-consuming and brilliant portrayal of the main character Sandra, it is close to impossible to decide. She brings […]