аÄÃÅ¿ª½±½á¹û

Page 1/4

Saint Basil's Cathedral (Cathedral of the Protection of Most Holy Theotokos on the Moat) on Red Square in Moscow (Russia).

By Douglas Gruehl

A Gentleman in Moscow – Triumph over Adversity

Paramount+ scores a perfect 10 out of 10 with its brilliant A Gentleman in Moscow, starring the wonderfully talented Ewan McGregor. In his role as Count Alexander Rostov, the unrepentant aristocrat sentenced to life imprisonment under house arrest in the grand Metropol Hotel by the Bolsheviks, he is at once witty, cunning, charming, deceitful, industrious […]

The fall guy logo

By Douglas Gruehl

The Fall Guy or How Film Editing Failed

OMG, David Leitch’s The Fall Guy is SO SO long, it is painful. Do we blame the editor, who should have recognized the incredibly repetitive scenes, or the director, who insisted on the final cut? The 2 hours and 6 minutes could easily have been encapsulated into a mere 90 minutes of glorious fast-action stunts, […]

By Douglas Gruehl

Elsbeth is Columbo in a Skirt

Carrie Preston in the new show “Elsbeth” starring as lawyer turned super sleuth Elsbeth Tascioni is nothing short of brilliant as the 2024 version of Columbo but in a skirt and with a plethora of shopping bags in lieu of a dirty trench coat. (you just have to love a run-on sentence – LOL)   We […]

Killers of the Flower Moon

,

By Douglas Gruehl

Killers of the Flower Moon? More like Killers of the Hours

OMG could Martin Scorcese get himself an editor? And I am asking politely. Three hours and 26 minutes to tell this primary story of greed, corruption and betrayal is, IMHO, 30-45 minutes too long. True, there are numerous subplots, but really Martin? Your viewing audience is not dense. Once you have established a fact, let’s […]

Bayard Rustin at news briefing on the Civil Rights March on Washington in the Statler Hotel, half-length portrait, seated at table

By Douglas Gruehl

RUSTIN shines a spotlight on our prejudices

Director George C. Wolfe brings “Rustin” to life with grace and ease as he tackles what for all should be a harsh reminder of the cruelty and prejudice rampant during the advent of the civil rights movement. This could not have been accomplished without the brilliant casting of Colman Domingo as the title character, Bayard […]

Leonard and Felicia Bernstein leaving for Israel, 1957

By Douglas Gruehl

Maestro – So Not A Symphony!

You have to give Bradley Cooper kudos for attempting to tell the story of the iconic legend Leonard Berstein and for directing himself, but, alas this film is not a symphony and barely equates to a concerto. At times Bradley brilliantly channels the legend without falling into the oft performance miring genre of parody but […]

,

By Douglas Gruehl

Anatomy of a Fall or Was It Colonel Mustard in the Snowbank?

Is Justine Triet’s “Anatomy of a Fall” a courtroom thriller, a dramatic psychological study, or both, or simply a “true-crime whodunit” with all the twists and turns inherent in that genre? With the backdrop of Sandra Hüller’s all-consuming and brilliant portrayal of the main character Sandra, it is close to impossible to decide. She brings […]

Jeffrey Wright speaking at the 2017 San Diego Comic Con International, for "Westworld", at the San Diego Convention Center in San Diego, California.

By Douglas Gruehl

American Fiction? No. 5 Star American Fact!

Cord Jefferson’s American Fiction interpretation of Percival Everett’s novel “Erasure” is a brilliant study of how to deftly bring a storyline to life with a subtle and even-handed approach. He masterfully develops this story of inherent hypocrisy within the publishing arena while balancing a myriad of subplots and characters. Jeffrey Wright absolutely shines as the […]

1953 Ferrari 340 MM

By Douglas Gruehl

Ferrari – Director Michael Mann is back!

Michael Mann’s latest endeavor, Ferrari, is a wonderful homage to the late racing and car industry giant. Through his deft handling of what was an extraordinarily messy (or should I say dysfunctional?) private life, Mann delivers a compelling biographical sports drama focused on the man, not the car or the racing. For those going in expecting a […]

Poor things

,

By Douglas Gruehl

Poor Things or how I survived a Salvador Dali LSD trip!

Never in my wildest dreams did I ever think I would leave a movie theatre thinking I had just taken an LSD trip or been a player in a Salvador Dali nightmare. Poor Things was certainly that and a lot more. NO, this is NOT a negative as I certainly give this film a more […]

By Douglas Gruehl

Boys in the Boat is Chariots of Fire on the water!

George Clooney’s direction of Daniel James Brown’s novel, Boys in the Boat delivers an impassioned view of the journey leading to the quest for gold at the 1936 Olympics in Berlin. The film focuses on the yeoman service of the University of Washinton’s men’s rowing team ably portrayed by a vast number of actors who […]

By Douglas Gruehl

Napoleon by Ridley Scott Barely Pierces the Surface

Dear Ridley Scott: your latest endeavor is visually brilliant but sorely lacks any depth in character or historical development or accuracy (yes, I know, literary license and all that rot.). Your film trolls through the life of a seminal historical figure as though it were playing hop-scotch – jumping from one event to another barely […]